By Ian Youngs
The mad world of Marilyn
Manson
"Do you want a fight? Do
you want a fight with me?"
I met Marilyn Manson less
than two minutes ago.
I am supposed to be interviewing the dark prince of rock, the grotesque
goth who, as legend has it, is vampire, zombie and demon rolled into
one.
And it's already the strangest interview ever. I expected him to be a
bit weird - but not like this.
I also expected the shock rocker to be highly articulate. From other
interviews I've watched, I know he can be the intelligent voice of a
troubled generation.
But today, it's clear that Marilyn Manson is just troubled.
He is in a dingy radio studio at the BBC's Maida Vale complex, where he
has just finished a shambolic radio session. Our interview is four
hours late.
Next door, a BBC Radio 3 choir is singing Karol Szymanowski's Stabat
Mater. I just hope he doesn't stumble into their studio by mistake.
Inside, wearing a plain black hoodie and his usual morbid pallor, he's
in high spirits, joking with his band and the studio crew.
As we start, it becomes clear that he can't or doesn't want to give
coherent answers, except for those that end with comments about sex,
violence or preferably both.
His preoccupation is such that I have heavily edited his comments to
cut out large chunks that are lurid, graphic and frankly disturbing.
I'm doing the interview with a colleague, Adrian from BBC 6 Music.
Manson starts by ripping the foam cover off the end of Adrian's
microphone, before being asked about his fans.
"My fans? There's no fans because I was very hot in my room." Adrian
tries again, to which Manson responds: "Ceiling fans or standalone?"
There is a glint in his eye. He's toying with us, but his comments are
also unnervingly lewd and random.
He carries straight on. "Is that a cellphone?" he says looking at my
recording device. It's clearly not a cellphone. "Can I call you?" He
then makes the first offer of a fight, not delivered aggressively, but
more as a polite, jovial invitation.
Adrian asks him about the Download festival, where Manson is playing
this summer. "You said load. And down," Manson interrupts, as if
they're the dirtiest words in the world.
I ask my first question, and try to change tack. Can he remember the
first time that he performed musically? His weird different-sized
eyeballs peer out from under his hood.
"The first time I performed musically I threw up."
When was that?
"Last night. But no, the first time, I had stage fright. I was afraid
of the stages and frightening and The Frighteners, which was a bad
movie with, what's his name, Michael J Fox.
"So I would say the last time I had… what was the question?"
Next, I try asking where he currently lives. The answer is rambling,
peppered with rude words and references to sexual violence. He also
starts making weird fluttery whistling noises half-way through.
The answer finishes with: "Et cetera and so forth and so on and wow and
[more fluttering] I like to speak in those kind of terms."
It's getting curiouser and curiouser. So I ask about the film he's
supposedly working on, in which he is playing Alice in Wonderland
author Lewis Carroll.
"I'm playing him always in life," he replies. "I wrote a script about
him because I read his diaries and it was about aphasia to the sky, the
sky, left, right, and that's me.
"So I almost quit music because I didn't want to do any more so I want
to put it all into film. Right now I'm in love with film. But filming
myself. And I'm playing Marilyn Manson."
What stage is the film at? Have you shot any of it?
"No, I shot at someone. But that was a firearm and it was not exactly
legal. But I was exonerated from the crime."
I hope and pray that he's joking and plough on. After Adrian asks him
about one of his heroes, Iggy Pop, I ask why he didn't quit music but
decided to release a new album.
"It was me realising that that's what I do best," he says. "That's not
always good, but that's what I do best, worst. Me being Marilyn Manson,
rock star, et cetera, that's what I do."
So is the film ever going to… I don't have time to finish my question.
"You want a fight? A film?" he interjects.
The film, I affirm.
"The film," he repeats, before things degenerate again.
Manson manages to answer a question about Motley Crue a bit more
coherently, then, thankfully, the interview is brought to a close in
less than 10 minutes.
At the time, it was in parts surreal, awkward and amusing. In
hindsight, it seems a bit more disturbing. Not scary though. Just sad.
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